What I Am Doing Now

It is the time of year where school breaks for the summer, seniors plan for prom and graduation, and families finalize their warm weather travel plans.  The winter chill has long melted away and all is right with the world.

 

And it's also time for me to launch my next crowdfunding project for the summer.  If you've been following me, then you know that I successfully ran a crowdfunding project back in March.  I offered my HAPPY tote at 40% off as an incentive for people to pledge.  When I reached my goal on the last day of the campaign, I felt like a winner.  I had tried crowdfunding back in 2011 when I was still designing apparel, but never made it to the finish line.  So I felt a real sense of accomplishment.

 

With my new crowdfunding project that will launch on Monday, June 9 on Indiegogo.com, I will be sharing a portion of the proceeds from the sale of my HAPPY crossbody and small purse style with The Hope Program.  The people at Hope work diligently to provide vocational, educational, and social services to New Yorkers who are unemployed so that they not only find gainful employment, but develop a career path.  I partnered with them last year for the Christmas holiday, but it's my wish that people will really see the value in this initiative, pledge, and in so doing, support this very worthy cause.  In our own little way, we can lower New York City's unemployment rate TOGETHER.

 

So please, share with your friends, tell your neighbors, alert your co-workers, and shout it out to your family.  Get HAPPY and Give HOPE.

 

Peace & Fashion!

Charles James & SK WiLBUR

 
Last week I had the pleasure of visiting the Charles James: Beyond Fashion exhibit at the Metropolitan Museum of Art.  I was first introduced to the genius of Charles James when I was a fashion design student in my 20s  at FIT.  Ushered into the close quarters of the school's fashion laboratory, my class was allowed to marvel at the underpinnings of one of James's works of art while the gloved hand of one of the lab workers peeled back each layer of fabric and tulle.  Needless to say, the experience left quite an impression on me. 

So many years later, when I was presenting my collection of dresses for the curvy woman, I referenced the iconic photo of women elegantly sheathed in Charles James gowns shot by Cecil Beaton.  I just thought it was the height of haute couture.  And I wanted to show that women of size could be just as elegant.  Now after eschewing the bright lights and drama of apparel, my focus has shifted to handbags.  Yet, in the ensuing years,  I am still awed by one of my design heroes.

 

Peace & Fashion!